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ABOUT THE JOURNAL

displacements: an x’scape journal is an architectural & editorial project born out of the research led since 2009 in the Landscape LAB at the Master in Advanced Architectural Projects (MPAA) and the Cultural Landscape Research Group of the ETSAM School of Architecture in Madrid.

A tool, displacements, to broaden the scope of a dialogue that might help us face in an integrated, situated and transdisciplinar way the two essential aspects of any critical practice: knowledge and action. A concept, x'scape, that allows us to move between space read as inert scenario in which life unfolds and lived and practiced space understood as a common production or multiple corporeality crossed by political, social, imaginary, ecological... dimensions.

SUBMIT

displacements is soliciting essays ranging from 2000 to 5000 words, cartographic and mapping works, projects, or any other editable formats (video, audio, and other non-printable formats are welcomed as well). Graphic-based submissions will be accompanied by a text (minimum 500 words). Submissions must be previously unpublished and sent in complete form with a short bio of the author or authors.

displacements #2 ReFi call opens on
November 2014

On a rolling basis displacements will accept submissions of previously uunpublished work dealing with the notions of cartography and mapping, traveling and the role of experience, and the new instrumental of architecture and landscape in our approaching to the real. The submission guidelines are the same as for the specific calls.

FEATURED

LA MIRADA ANÓMALA. PAISAJES FILTRADOS

by displacements

El paisaje banal deriva de la percepción no atenta, de una forma de construcción del paisaje que resulta de unas leyes previamente establecidas. La mirada anómala de los artistas y paisajistas, en la medida que somos conscientes de las singularidades de nuestra mirada, introduce variaciones en nuestra mirada de espectadores.

0 May 16, 2014 0

Submit

LAST INSTALMENT

ABOUT THE JOURNAL

SUBMIT

FEATURED

LA MIRADA ANÓMALA. PAISAJES FILTRADOS